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And the Oscar for the most detailed man-mauled-by-grizzly sequence goes to… The Revenant! Applause. Next, Ryan Gosling getting hit by a truck, a four minutes uninterrupted take of pure cinematic pleasure.

Oh, it was just a bad dream… Continue reading “Macho filmmaking, technical prodigies, photogenic pain: how the bear attack sequence in The Revenant epitomizes the entire movie”