And the Oscar for the most detailed man-mauled-by-grizzly sequence goes to…¬†The Revenant! Applause.¬†Next, Ryan Gosling getting hit by a truck, a four minutes uninterrupted take of pure cinematic pleasure.

Oh, it was just a bad dream… Continue reading “Macho filmmaking, technical prodigies, photogenic pain: how the bear attack sequence in The Revenant epitomizes the entire movie”