The frontier, the man versus the wilderness, the fight with the bear, the confrontation with the Other, the heart of darkness, the revenge: on paper The Revenant is the quintessential American film. And an ambitious one: shot all on impervious locations with natural light, long uncut plans and challenging ensemble sequences. Plus it stars the indefatigable Leonardo DiCaprio, who’s in a good streak of memorable performances since, well, forever.
For all those reasons I really wanted to fall in love with Alejandro Gonzales Iñárritu‘s las effort, but I couldn’t. There had been many sparkles along the way but it didn’t last: by the end of our hero’s odyssey in the wild my excitement had already worn off. What went wrong? Continue reading “Big themes, long shots, short-sighted script: how The Revenant’s journey in the wild left so much unexplored”